Figured Bass Accompaniment

V. 1 : 1. The Chords : Triads ; Dominant And Other Sevenths ; The Diminished Seventh ; Suspensions ; Other Discords ; The Nature Of Discords In Figured Bass -- 2. Hints Of Accompanying : The Purpose Of Continuo ; The General Advice For The Keyboard Player ; Some Lists Of Instruments Used ; Types Of Accompaniment ; The Figures ; The Bass-line ; Volume On The Harpsichord ; The Number Of Notes In The Chords ; Left-handed Octaves ; How To Use The Hands ; Distribution Of The Hands ; Breaking Or Embellishing Chords On The Harpsichord ; Arpeggio Chords ; Added Ornaments ; Acciaccature ; Repercussion Of Chords ; What To Do With The Right Hand ; Extemporized Right-hand Melodies ; Imitation ; Rests In The Soloist's Part ; Tasto Solo; All' Ottava ; Theme In The Bass ; Pedal Points ; Pizzicato Strings ; Recitative On The Harpsichord ; Continuo On The Organ ; German Recitative On The Organ -- 3. Changing Styles Of Accompaniment : The Earliest Basso Continuo ; Basso Continuo Of The Later Seventeenth Century ; The Mature Italian Basso Continuo Styles ; The Mature French Basso Continuo Styles ; German Continuo Style In The Early Eighteenth Century ; English Basso Continuo Style ; Eighteenth-century Recitative ; The Other Basso Continuo Instruments. V. 2 : 1. Dominant 7hs ; Other 7ths, Diminished 7ths ; 65 Chords ; 643 And 642 Chords -- 2. 54 Chords ; 42, 642, 52 And 542 Chords ; 742 And 752 Chords ; 7-6 Suspensions, 9-8 Suspensions ; Compound Suspensions And Appoggiature ; Accented Passing-notes ; Discords Arising Through Pedal-points ; 'improvised' Fugues Incorporating Suspensions. [by] Peter Williams. Bibliography: V.1, P. 106-115.